The Man Who Would Be King / L'Homme qui voulut être Roi / Der Mann, Der König sein wollte (1975)


This movie is the first John Huston’s films I saw. It impressed me very much and it is still true today. His movie gave me the envy to read the Rudyard Kipling’s novel and to know more about his director’s career. I hope that some other people who don’t know him and the novel will have the same feelings…
“The Man Who Would Be King and Other Short Stories" (1888) is a novella by Rudyard Kipling. John Huston admired and knew all Kipling‘s poems and novels. We can understand why he was so determined to transfer the novel to the screen.

Rudyard Kipling (Christopher Plummer) and Peachy Carnahan (Sir Michael Caine)

The Story : Daniel Dravot (Sir Sean Connery) and Peachy Carnahan (Sir Michael Caine), two ex–soldiers resign from the British colonial Army of India. They meet a British journalist Rudyard Kipling, that stops them from blackmailing a minor rajah. After that funny episode, they go off to Kafiristan (Afghanistan ?) to become kings and get money from the natives.
Two years later, Carnahan, a crippled beggar, came back to India and tell their amazing story to Rudyard Kipling (Christopher Plummer). Because of their modern military knowledge and equipment, they succeed to muster an army, then take over villages and dream to build an unified nation. They are both acclaimed as gods and Daniel Dravot is declared the immortal son of Alexander the Great by the Kafiristanis, the native countrymen. But soon, their schemes are dashed. Dravot is killed and Carnehan is crucified but he survives and the Kafiristanis free him.
To prove his tale, the beggar, Carnahan, shows to Kipling Dravot's head, still wearing a golden crown …

Peachy Carnahan (Sir Michael Caine) and Daniel Dravot (Sir Sean Connery)

The director wrote the final screenplay version with Gladys Hill who was also his long-time assistant. He respected the novel very closely, so an extent that when reading the book you could have the feeling that the screenplay of the movie is a straight copy of the book with the exception that Huston has included in his screenplay Rudyard Kipling as an actual character whereas in the novel he is just the narrator. Also, compared with the book Huston cut the epilogue of the story (Peachy Carnahan’s character died in a Poorhouse).
The veteran director took more twenty years to complete it. Originally, Clark Gable and Humphrey Bogart were the first choice. But, in 1957 Bogart died and Gable three years later. Other actors were considered to portray the Two British soldiers. In 1974, Huston was finally able to obtain the money with the help of the producer John Foreman (“Butch Cassidy and the Sundance Kid” (1969) ; “The Life and Times of Judge Roy Bean” (1972) ; “The (First) Great Train Robbery” (1978)).


Because of the success of “Butch Cassidy and the Sundance Kidd” (1969) the producer first considered Robert Redford and Paul Newman. Despite a very good script, Newman had the feeling that he wasn’t the right choice and advised Huston that British actors should be better for playing the roles. Finally, Sir Michael Caine and Sir Sean Connery took the leading parts. Like for “Lord Jim” (see the topic), Columbia Picture accepted to distribute and co-produce the movie ($8 million).
The distinguished Canadian origin actor, Christopher Plummer (“Royal Hunt of The Sun” (1969) ; “Waterloo” (1970) ; “Hanover Street” (1979) ; “Somewhere in Time” (1980)) was considered to portray Rudyard Kipling. The gorgeous Shakira Caine, Sir Michael Caine’s Wife, complete the outstanding cast to play the part of Roxanne.
The Producers asked for the collaboration of the cinematography Oswald Morris (“The Roots of Heaven” (1958) ; “Sleuth” (1972)). The talented Production Designer, Alexander Trauner (“The Apartment” (1960) ; “The Private Life of Sherlock Holmes” (1970)) and the acclaimed Costume designer Edith Head ((“Willie Boy” (1969) ; “The Life and Times of Judge Roy Bean” (1972)) were chose to join the technical crew.
The film was shot in Panavision / Technicolor at Pinewood Studios and at locations in France (Chamonix), Morocco (kasbah of Ait Benhaddou) and the USA.

The Composer Maurice Jarre

It was the third time that the French origin composer, Maurice Jarre scored a John Huston‘s movie (“The Life and Times of Judge Roy Bean” (1972) ; “The Mackintosh Man” (1973)). He wrote the complete score in one month and recorded it in London with the help of The National Philharmonic Orchestra and of six Indian musicians during two weeks. John Huston was very happy with the result. Jarre succeeded to merge ethnic instruments (sarangi and sarod) with a large symphonic orchestra together with the traditional hymn “The Minstrel Boy” which was the recurrent song in the movie.

Theme of "The Dream" from The Orignal Score

The three actors gave a tremendous performance and they considered the filming of this movie as the happiest professional experience in their career. At every minute, it is a joy to see them on the screen. With Maurice Jarre, they kept a very emotional memory about their collaboration with the legendary director.
In 1983, the American Film Institute celebrated the John Huston’s career, Sir Michael Caine was here and remembered the memorable shooting of the movie. He talked the time when Connery and him, visited Huston at the cedars Sinai Medical Center in Los Angeles. They admired so much Huston’s personality that they recreated the funny scene of the military walk they had devised for the film. With a great emotion, the old illness man said “Danny and Peachy have come to see me”. Fortunately, Huston recovered and made other wonderful films until 1987.
The movie received good responses from the audience and a lot of critics praised it. It was nominated for four Academy Awards (Best Art Direction - Alexander Trauner, Tony Inglis, Peter James ; Best Writing - John Huston, Gladys Hill ; Best Costume Design - Edith Head ).

The Movie Trailer


I regard this movie as one of John’s Huston Masterpieces. It is my favorite because it was produced in a realistic way. Everything seems authentic (Wardrobes and sets). We can also find humor scenes (the military walk) and glorious and very emotional moments (Dravot/Connery’s death). That’s why still today, it is considered like a “Classic” movie and one of the biggest epic story ever filmed for the screen like Lean’s “Lawrence of Arabia”… A great entertainment...


There is another movie which gave me the same feeling. It is the movie adaptation of Joseph Kessel’s novel “The Horsemen” by John Frankenheimer which also took place in Afghanistan…



P. S. : If you want to know more about “The Man Who Would Be King” (1975)”, please refer to :
·         Books :
“John Huston” by Patrick Brion (in French) ; 2003 ; Edition de la Martinière, France.

“John Huston” by Robert Benayoun (in French) ; 1985 ; Edition Pierre Lherminier, France.

“The Great Adventure Films” by Tony Thomas “(In English) ; 1976 ; Citadel Press Book, USA.

“What Is all About ?” by Michael Caine (In English) ; 1992 ; Turtle By Books, USA.

“Michael Caine : The Elephant to Hollywood” by Michael Caine (In English); 2011 ; Hodder & Stoughton ; UK.

“Sir Michael Caine : The Autobiography” by William Hall (In English) ; 2007 ; Metro / John Blake Publishing, UK.

“Michael Caine :  A Class Act” by Christopher Bray (In English) ; 2006 ; Faber and Faber, UK.

“Sean Connery : The Measure of Man” Christopher Bray (In English) ; 2010 ; Faber and Faber, UK.

“The Films of Sean Connery “ by Lee Pfeiffer and Philip Lisa (In English); 1997 ; Citadel Press Book, USA.

“Sean Connery” by Jean–Jacques Dupuis (In French) ; 1986 ; Artefact Henri Veyrier, France.

·         Music :
CD Album of “The Man Who Would Be King” by Maurice Jarre ; Bay Cities / BCD 3007.



Lord Jim (1965)


On the screen, we can see a ship fighting against a storm. Off, we hear a narration by the high class British actor, Jack Hawkins :
Joseph Conrad wrote : “If you want to know the age of the earth, look upon the sea in a storm. But what storm can fully reveal the heart of a man ? Between Suez and the China Sea are many nameless men who prefer to live and die unknown. This is the story of one such man. Among the great gallery of rogues and heroes thrown up on the beaches and ports, no man was more respected or more damned than … Lord Jim”.
That’s the impressive beginning of Richard Brooks’ movie.




“Lord Jim” is the 16th film of the prolific American director Richard Brooks. He wrote himself the screenplay based on the famous Joseph Conrad’s Novel and produced it with Associate producers Jules Buck and Peter O'Toole. Despite Columbia had some doubts about the commercial project, they finally agreed in 1964 to make the production because they admired and trusted Brooks’ abilities in handling this adventure movie.
During seven years, the perfectionist director spent a long time in developing the structure of the movie and writing the screenplay with a lot of researches on Indonesian culture and the local sets.

The Writer-Director Richard Brooks

Despite his previous literary adaptations (“The Brothers Karamazov” (1957) and “Elmer Gantry” (1960)), he had to face new difficulties for the transfer of the classic Conrad’s novel to the screen and expressed a lot of expectations on this movie. :
quote
“Film are made in a different style than a novel… Films must be suited to audiences of diverse cultures, different languages, different levels of understanding, and different levels of education. A book communicates with words, requiring first an intellectual response from the reader and then an emotional response. A movie is the opposite. Words, dialogue, verbal expressions are secondary… What we remember of a movie is what we saw ! Images ! A movie deals mainly with images ! The reaction to a movie, like that of music, is primarily emotional. If all the images are put together skillfully, then the secondary reaction may be intellectual… A translation from words to images is necessary and that translation prevents a film from being exactly like a book. In the end, it is possible for them to be closely related if only the intention is carried out… Perhaps with luck, perception, skill and hard work, we can make a new generation of many peoples “hear and fell and see’ Conrad’s “Lord Jim”.
unquote.


Peter O'Toole (Jim) and Paul Lukas (Mr Stein)

The Story : A idealist young naval officer, Jim (Peter O’Toole) embarked on an old ship, the s/s Patna carrying pilgrims to Mecca. After foolishly committing an act of cowardice, he was officially discharged and had sailing papers cancelled. Hoping for a second chance to redeem himself, Jim agreed to take some explosives for the account of Stein Trading Cy (Paul Lukas) into the unmapped jungles of Patusan, a journey that took him deep into the jungles of the east where a feudal war lord known as the general (Eli Wallach) was terrorizing the population. The general caught him and tortured which the aim of knowing from him the location of the explosives in vain. During his captivity, he met Cornelius (Curd Jürgens), the drunken, cowardly agent of Stein's trading company, who in reality was to the order of the General. A young native girl (Daliah Lavi) lead Jim's rescue. Jim took the head of the people to revolt against the tyrannical general. Jim won the battle and was hailed as a hero. The grateful natives bestowed the title “Tuan” on him. : “Tuan Jim” means “Lord Jim”. Cornelius escaped from Patusan and hired the services of a notorious cutthroat "Gentleman" Duncan Brown (James Mason) and his men to steal the Patusan’s treasure...

Peter O'Toole (Jim) and Daliah Lavi (The Girl)

The versatile Peter O’Toole took the leading part of Lord (“Tuan”) Jim. For the other parts, Brooks gathered a party of an international and great cast : “Jack Hawkins as the narrator and Captain Marlow ; James Mason as the river pirate Gentleman Brown ; Curt Jürgens as the infamous Cornelius ; Eli Wallach as the evil General ; Paul Lukas as the sagacious trader M. Stein; Akim Tamiroff as Schomberg the colorful owner of the rundown waterfront hotel Schomberg ; Daliah Lavi as the Girl and Christian Marquand as the French officer”.

Eli Wallach (The General) and Curt Jürgens(Cornelius)

After “Lawrence of Arabia” (1962) and “Beckett” (1964), Peter O’ Toole gave an intensive and outstanding performance. Even if the Irish actor kept a bitter memory of “Lord Jim”, he recognized later that it was one of his finest roles. The performances of Hawkins, Mason, Jürgens, Wallach, Lukas and Tamiroff, were all marvelous, as usual. Christian Marquand played with a great sense of humanity the short part of the French officer who understood the despair of Jim. The gorgeous Israeli actress, Daliah Lavi played with a great sensibility the coolly Patusan Girl who fell in love with Jim. It is probably her best role on the screen.

Daliah Lavi and Peter O'Toole on the Set

The acclaimed cinematographer Frederick A. Young (“Lawrence of Arabia” (1962); “Doctor Zhivago” (1965)) and the talented production designer Geoffrey Drake (“Guns of Navarone” (1961); “The Victors” (1963)) were chosen by the production.
Bronislau Kaper, the Polish origin composer, gave one of his most brilliant score and probably for the whole screen. He managed to merge a large symphonic orchestra and native Indonesian orchestration with the valuable help of gamelan musicians.
The film was photographed in Super Panavision 70 at Shepperton Studios, England, and on location in Angkor Wat, Cambodia, Lantau Island, Hong Kong and Malacca, Malaysia. Despite the hard conditions of the filming (bad food, heat, snakes and jungle creatures), Brooks’ Film received two BAFTA nominations (best British art direction and best British cinematography).

The Director Richard Brooks and Peter O'Toole on the Set

Unfortunately, best efforts are not always rewarded and the reviews were not good in America. Only European critics and audiences (especially in France) gave good responses to the movie. “Lord Jim” was the biggest challenge and most expensive film ($9 million) in Richard Brooks’ career. I regard it as his masterpiece.
We can understand the reasons why, several years later, Brooks’ vision of “Lord Jim” inspired John Milius and Francis Ford Coppola’s in the making of “Apocalypse Now” (1979) based on Joseph Conrad’s novel “Heart of Darkness”.


“One hope kept Jim going a hope common to most men. Rich or poor, strong or weak who among has not begged God for a second chance ? ...” .


 Suite from "Lord Jim"


P. S. : If you want to know more about “Lord Jim” and Richard Brooks, please refer to :


● Books :

“Tough as Nails” (The Life and Time of Richard brooks) by Douglas K. Daniel (in English) ; 2011, The University of Wisconsin Press.

“Richard Brooks” by Patrick Brion (in French) ; 1986 ; Ste Nlle des Edition du Chêne.

● Music : 

CD Album of “Lord Jim” by Bronislau Kaper ; 2005 ; FSM Vol.8 N°11.

 ● Websites : 

The Joseph Conrad Society (UK) Official Website

Another link about Joseph Conrad

The Unofficial Peter O’Toole Pages


Here are some stills from my collection :








US Souvenir Book Cover

Young Cassidy / Le Jeune Cassidy / Il Maginifico Irlandese / El Soñador Rebelde (1965)



“Young Cassidy” (1965) is a movie which is very close to my heart.

The movie was first directed by John Ford and later by Jack Cardiff when, after three weeks of filming, the legendary director, John Ford (“The Quiet Man” (1952)), was obliged to left the picture because of an illness. The talented cinematographer, Jack Cardiff (“The Vikings” (1958)) took over and finished the shooting.

Like “El Greco” (see the topic) “young Cassidy” is a biographical drama. This movie is based upon the early life of the famous Irish playwright Sean O'Casey (1880 / 1964). It was a fine opportunity to John Ford because he had already directed a movie version of O’Casey’s play “The Plough and the Stars” in 1936. 



MGM began the production a year after O'Casey's passed away. However before his death, he had given his approval to the script including the change of his name in the film to John Cassidy.

The Australian actor Rod Taylor took the lead role in place of Sir Sean Connery who was not available because of the success of the Bond films. Dame Maggie Smith played the part of the shy bookstore clerk Nora. Julie Christie joined the company to play Daisy Battles a good-hearted prostitute (it was her first great appearance on the screen). Sîan Phillips was the melancholic Cassidy’s sister and the fellow working class stiff Mick Mullen was played with humanity by Philip O’Flynn.

Three distinguished actors complete this wonderful cast, Dame Flora Robson played with authenticity the poverty-stricken mother, Sir Michael Redgrave was a very impressive W.B. Yeats and Edith Evans was the old mischievous woman Lady Gregory.

The English actor, dramatist and critic, John Robert Whiting (“The Devils” (1960/1971)) wrote a solid screenplay based on Sean O'Casey's autobiography “Mirror in my House” and the prolific traditional Irish musician Seán Ó Riada composed a brilliant score.

The photography of Edward Scaife (“Khartoum” (1966), “Dirty Dozen” (1967) ; “Dark of the Sun” (1968)) is truly beautiful. Before the shooting, the “impertinent” Taylor suggested to Ford that he should shoot the movie in color but not in black and white as originally planned by the director. Like for “The Quiet Man”, the colors of the Irish country are magnificent and give a sensational poetic dimension to the story. 



The Story : 1911, Dublin, the Irish people demanded the ending of the British’s oppression. A young Irish worker John Cassidy (Rod Taylor) wanted to become a pamphleteer against the social and political injustices in the Dublin life. But quickly, he realized that he could do more for his country with the pen than with the “sword”. He showed his play, “The Plough and the Stars », to W.B. Yeats (Sir Michael Redgrave), the founder of the Abbey Theatre who agreed to stage it. Unfortunately, the audience rejected Cassidy‘s vision of the Irish society. He lost his longtime friend (Philip O’Flynn) and his girlfriend’s love (Maggie Smith), but he didn’t give up his aim to be a playwright and understood that he had to leave Ireland for England to continue his career.



With “Dark in the Sun” (also directed by Jack Cardiff), this is the finest performance of Rod Taylor who keeps a very emotional memory of the picture. He plays his part with a lot of sensibility and a wonderful realism. In a recent interview for Turner Classic Movies Channel (TCM), Taylor remembered the day of scene following the funeral of Cassidy's mother under the direction of Ford. At the end of the shooting, the old veteran director said on the set : “You, Australian, son of a bitch… you made me cry. That's a wrap !”.

Among this fine cast, the magnificent actress Maggie smith gave a tremendous performance too. The talented actress played with a great intensity and conviction the part of Nora who is shared between her love and her idealist temperament to Cassidy’s character.

Taylor and Smith had both already given a remarkable performance in the MGM Production, “The V.I.P.’S” (1963) directed by Anthony Asquith with a fine cast including  Elizabeth Taylor, Richard Burton, Orson Welles, Louis Jourdan, Elsa Martinelli and Margaret Rutherford.



I have the feeling that “Young Cassidy” is a forgotten movie today which I deeply regret. But, if you like to see a lovely story without any intellectual pretentions, this picture is for you. Also, you will find all the ingredients of the best of John Ford’s films. For instance, the recurrent funny fight scenes in pubs with also very emotional moments, especially when Cassidy’s mother died, and when the two main characters decided to get separate from each other.



As to me, I feel the movie is quite different from the others. It’s a humanist message for a peaceful world and a true understanding between people. But it is also a great romantic poem which enhances the Irish mind… his courage and his dignity in face of adversity.

“Go ahead make your day”… 


P. S. : If you want to know more about “young Cassidy”, please refer to :

(from the official web site dedicated to The Great actor Rod Taylor) 


Also you can see the shot documentary "Sean O'Casey: The Spirit of Ireland" (1965), which is a kind of “making of” the picture with some interviews of Rod Taylor and Jack Cardiff.





Here are some stills from my collection :














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